The urban/industrial landscape of Gowanus, Brooklyn, circa 2009, could be characterized by warehouses, red brick, grime, large transport trucks, buses, and shops ranging from tire to marble. The picturesque landscape of Andalusia in southern Spain is marked by olive and orange trees, artisanal ornamentation, narrow winding streets, and an incredibly warm light. The installation of the latter in the former creates a playful and visually compelling landscape all its own.
Nearly two years in the making, this piece has undergone several phases of evolution before manifesting as a site-specific installation in Brooklyn, New York. It started with marker-based landscape drawings of the Andalusian landscape on paper.
These drawings were scanned and reworked to create a digital, vector-based illustration.
The vector-based illustration was then silkscreened on vellum for the Al Andaluz exhibit at the Musée des Beaux Arts, Dunkerque, France.
Although the mockup below never materialized, it was my first attempt at transposing one landscape into another; a theme that would later find its way back into my work.
Nearly a year after creating the original marker drawings, Yellow Forest took shape as an animation created with fluid dynamic particle systems.
The piece evolved yet again, into a large format video installation, which was presented as part of my thesis show at École Régionale Supérieure d’Expression Plastique in 2007.
In its final instantiation, this piece has gone from being about the landscape to being part of it.

Yellow Forest—the site-specific video installation— was conceived for the BAG Gallery show SURFACE - Contemporary Artists Interpret Landscape, which ran from March 20, 2009 to April 2, 2009. This piece runs for 1'06 on loop and measures 24' x 6'.